Bio-artists use live tissues, bacteria, living organisms and life processes to create works of art that blur the traditional distinctions between science and art. Most of these works tend toward social reflection, conveying political and societal criticism through the combination of artistic and scientific processes.
An exhibit of bio-art works by Kevin H. Jones went on view Feb. 16 at Montserrat College of Art in Beverly, Mass. Jones' work explores how biotechnology and other sciences are changing and being redefined. Almost every piece in it is alive, and the media used includes bioluminescent bacteria and rotting fruit. According to Montserrat College Assistant Curator Shana Dumont, the exhibit seeks to make the achievements and implications of biotechnology more accessible, a goal shared by most bio-artists working today.
Part of the problem with bio-art, explained RPI faculty member and Kurtz's colleague Rich Pell, is that much of it seems shrouded in secrecy because of the laboratory setting. Pell and Reodica are working to combat this through the creation of the Center for Bio-Media, a gallery, lab and educational facility that will be open to the public.
"With bio-art, rather than just freaking out about it, you can then go into a lab where things are actually happening and then have an 'educated freak-out,'" Pell said.